SOUND BACK Model 4 MULTI-D for Trombone, Flute and most Winds

<p>With<strong><span> </span>SOUNDBACK</strong> patented acoustic monitors, your own sound is reflected back to you so you can hear yourself better and with less effort. These panels also increase the volume and captures more of your instrument's core sound through the PA system while eliminating annoying feedback. </p><p><span>Made from high-grade hard cast acrylic plastic that is stronger and better resist scratches and chipping than similar extruded material. In addition, a special UV additive prevents yellowing and will extend plastic panels life. These panels are totally hand-made by expert craftsman in the USA. Each panel is precision cut and edges are sanded and polish to an ultra-smooth surface.</span></p><p>Easily attaches to most microphones and the clear plastic material is practically undetectable to the audience and cameras. <span>Acoustic panels are made from high quality, scratch resistant acrylic and precision manufactured to provide years of reliable performance.</span></p><p>The <strong>MULTI-D</strong> is designed for use for Trombone, Flute &amp; Most Wind Instruments <span>Simple single panel with special D shape that allows trombone bell to be place near panel and slide to pass past the panel eliminated contact. Compact size and angle design.</span></p><li><span style="font-size: small;"><strong><span size="+2" face="arial" style="font-family: arial;">Hear yourself better in any situation.</span></strong></span></li><li><span style="font-size: small;"><strong><span size="+2" face="arial" style="font-family: arial;">Improve intonation and tone quality.</span></strong></span></li><li><span style="font-size: small;"><strong><span size="+2" face="arial" style="font-family: arial;">Attaches easily to almost any microphone.</span></strong></span></li><li><span style="font-size: small;"><strong><span size="+2" face="arial" style="font-family: arial;">Stops annoying microphone feedback.</span></strong></span></li><li><span style="font-size: small;"><strong><span size="+2" face="arial" style="font-family: arial;">Cloth storage bag included.</span></strong></span></li><p><span face="arial" size="2" style="font-family: arial; font-size: small;"><b><br><br></b></span></p><h2 style="text-align: center;">DOWNBEAT MAGAZINE REVIEW</h2><p align="center"><span color="#3333ff" style="color: #3333ff;"><b><span color="#000000" size="+2" style="color: #000000; font-size: small;">Sound Back for Trumpet and Sax: Hear Thy Self</span><span color="#000000" size="+1" style="color: #000000; font-size: xx-small;"></span></b></span></p><p><span face="Arial, Helvetica, sans-serif" style="font-family: Arial, Helvetica, sans-serif;"><b>Horn players</b><span> </span>know the pain all too well: They blow their brains out, but still can't hear themselves. On the job, they battle for stage volume with over-amplified keyboards, booming bassists, deaf guitarists and drummers who think louder is better. And even if they're lucky enough to play a room with monitors, horn players have to compete for space with the vocalist and are helpless to the whims of the sound man. In desperation, they often overcompensate and end up blaring out of tune.</span></p><p><span face="Arial, Helvetica, sans-serif" style="font-family: Arial, Helvetica, sans-serif;"><b>Sound Back</b><span> </span>has come up with a way for horn players to regain control of how they hear themselves in situations where microphones are involved.</span></p>